



They learn about the edition of Thomas' Ball's Emancipation Group in the Chazen's collection during a reception dinner with museum faculty and inform their MASK Consortium partners about the intent to respond with a counter-monument
Chazen Museum Director, Amy Gillman, considers how to deal with the sculpture

They learn about the edition of Thomas' Ball's Emancipation Group in the Chazen's collection during a reception dinner with museum faculty and inform their MASK Consortium partners about the intent to respond with a counter-monument
Chazen Museum Director, Amy Gillman, considers how to deal with the sculpture

They learn about the edition of Thomas' Ball's Emancipation Group in the Chazen's collection during a reception dinner with museum faculty and inform their MASK Consortium partners about the intent to respond with a counter-monument
Chazen Museum Director, Amy Gillman, considers how to deal with the sculpture

They learn about the edition of Thomas' Ball's Emancipation Group in the Chazen's collection during a reception dinner with museum faculty and inform their MASK Consortium partners about the intent to respond with a counter-monument
Chazen Museum Director, Amy Gillman, considers how to deal with the sculpture

They learn about the edition of Thomas' Ball's Emancipation Group in the Chazen's collection during a reception dinner with museum faculty and inform their MASK Consortium partners about the intent to respond with a counter-monument
Chazen Museum Director, Amy Gillman, considers how to deal with the sculpture